| |
 |
| |
February
26 - March 4, 2001 News
|
|
 |
| |
Monday,
February 26, 2001
Father
& Daughter Wins Best Short Animation at Orange British
Film Academy Awards
London, England, February 26, 2001 -- Father &
Daughter, an eight-and-a-half minute film directed by Michael
Dudok De Wit and co-produced by Claire Jennings and Willem Thijssen,
won a British Academy of Film and Television Arts (BAFTA) award
Sunday in the Short Animated Film category.
Tools used for the animation are pencil, charcoal, and digital
colouring. Animation is by Michael Dudok de Wit and Arjan Wilschut.
Technical direction (scanning, compositing, editing) was done
by Spider Eye Ltd, London, with compositing by Alistair Beckett
and Nic Gill. The film has no dialog.
 |
|
Image
from Father & Daughter
Used
by permission of Michael Dudok De Wit
|
The premise
of Father & Daughter is that a father says goodbye to
his young daughter and leaves. As the Dutch landscapes live
through their seasons, so the girl lives through hers. She becomes
a young woman, has a family, and in time she becomes old, yet
within her there is always a deep longing for her father.
Michael Dudok de Wit grew up and went to school in Holland.
After school, he studied etching in Geneva, and animation at
Farnham, England, were he made his first film The Interview.
He now lives in London, where he directs and animates TV commercials
and creates films with various production companies.
His 1992 short film The Monk and the Fish, produced in
the south of France with the studio Folimage, was nominated
for an Oscar and has won numerous prizes, including a César
and the Cartoon d'Or. Michael also illustrates books and teaches
animation at art colleges in England and abroad.
Father & Daughter was a British-Dutch co-production
by Cloudrunner Ltd and CinéTé Filmproductie bv. To purchase
a VHS copy, send an email to m@dudokdewit.com
This year’s star-studded Orange British Academy Film Awards
took place at the Odeon Leicester, exactly one month before
Hollywood’s ceremony. It was broadcast live on Sky One at 6.45
p.m., with a highlights programme tonight on BBC1.
Animation entires are required to be 16mm, 35mm or Digital Beta
to be eligible, with a running time of no more than 30 minutes.
They must be fictional and be completed within the awards year
(Jan. 1 - Dec. 31 2000), and are not eligible if they have been
part of a television programme or series.
Unlike the other film categories, these films are judged by
a jury and not voted on by BAFTA members. The jury consists
of a Chairman appointed by the BAFTA council and approximately
7-10 jurors. All films are viewed and short-listed to the top
20-30. The films are then viewed again and the top four nominations
and a winner are produced.
BAFTA's web site is www.bafta.org
.
Tuesday,
February 27, 2001
Blue
Dream Studios Founded by Veteran Character Animator Scott Christian
Sava
Thousand Oaks, CA, February 27, 2001 -- The brand new Blue Dream
Studios, founded by Scott Christian Sava, will specialize in
character animation, and be a full-service studio for such clients
as 20th Century Fox, Paramount, Sony, Harvey Entertainment,
Marvel Entertainment and Saban.
"With our experience in the entertainment industry, we felt
that we could help studios get the most out of their animation
budgets by offering 'big company' quality animation at a small
studio price," said Sava.
Blue Dream is already working with several clients, and has
four original TV series in the works. One client is Marv Wolfman,
creator of "Blade," "The New Teen Titans"
and other popular comics. Wolfman and his production company
Wolfmill Entertainment are collaborating with Blue Dream Studios
on a new television series, "Mighty Mites."
"Scott has a great sense of character to his animation," said
Wolfman. "Scott brought life to my characters, without that
there's nothing."
Kent Butterworth, CGI Producer at Saban International with credits
that include "Fat Albert," "Smurfs," "SuperFriends,"
"The Simpsons," "Tiny Toons," "Batman,"
"Xyber-9," and "Nascar Racers," states "Scott
always delivers more than expected in his character animation.
I know he will always take it to the next level, enhancing the
shot and bringing the characters to life."
And of his work with Scott on the Casper movies, Kent states,
"He added subtlety to the performance of his characters, so
that they were as much alive as the 'live action' actors they
shared the screen with."
In addition to its animation capabilities, Blue Dream Studios
is in development of four original television series that seek
to provide a sense of humor with memorable characters for audiences
of all ages. To complement in-house talent, the company has
a vast resource of animators, modelers, musicians, texture artists
and graphic designers from around the world at its disposal.
For more information, go to www.bluedreamstudios.com
***
Black Logic Mixes Dancing Candy Bars
and Pop Stars in M&M Mars Spot
New York, NY, February 27, 2001 -- A visual mix of singers,
dancers and animated candy bars was the challenge for Black
Logic's CG department in producing two new spots for M&M
Mars.
The
effects-driven spots "Remote Control" and "Head Spin" (: 30),
directed by Dave Meyers, FM Rocks, for Grey Worldwide, New York,
debuted on the Grammy Awards show. Black Logic GC artists were
invited to pre-production meetings to collaborate on creative
concepts and remained involved through final posting of the
elaborately animated spots, according to visual effects director
Patrick Ferguson, Black Logic.
"We had numerous conversations with Dave (Meyer), the Grey creatives
and with tabletop director Santiago Suarez to decide how best
to achieve an entertaining, convincing visual blending of musical
groups and dance styles with animated TWIX cookie elements."
"Remote Control" opens like an MTV-style videoclip, titles and
all, with teen sensation Dream singing the creamy chocolate
part of "It's all in the Mix." Click, channel change to follow
the bouncing ball as an oldies polka band (appearing on some
local cable access channel (degraded image transmission and
all) oompas away to "chewy, chewy caramel." Click once more;
there's rapper Lil' Bow Wow talking the lyrics to crunchy cookie
on a lost "Soul Train" style set. Flip the point of
view to two skateboarder couch potatoes playing the remote control
game. Click again; explode into an animated world where caramel,
chocolate and musical groups are mixed together. Bow Wow plays
accordion while the four Dream girls dance with the polka players.Final
click; one dude cancels his friend who is replaced by the four
dancing Dream girls.
The challenge was to create a believable world where all the
elements blended together.
"Our task was to integrate live action and tabletop footage
with our CG elements into a seamless world," said Ferguson.
"We wanted to create a place where viewers will notice that
the different types of music come together like the ingredients
in a TWIX bar."
|
Credits
-- F.M. Rocks
-
Craig Fanning - President
-
Eileen Terry - Executive Producer
- Dave
Meyers - Director
- Ron
Mohrhoff - Producer Black Logic
- Karen
Stewart - Executive Producer
-
Carrie Murphy - Visual Effects Producer
- John
Mabey - CGI Production Head
- Patrick
Ferguson - Lead Visual Effects Artist
-
Scott Petill - CGI Supervisor
- Brian
Benson - Visual Effects Artist
-
Alan Neidorf - Visual Effects Artist
- Lisa
Hodge - Visual Effects Artist
- Bruce
Gionet - Computer Artist
-
Julio Soto - Computer Artist
- Sebastian
Bilbao - CGI Technical Director
- Glenn
Harper - Computer Artist
-
Adam Martinez - CGI Technical Director
-
Andrew Dayton - Computer Artist
- Santiago
Suarez (Food Photography)
-
Santiago Suarez - Director/Cameraman
-
Ron Marrazzo - Producer
|
|
Credits
-- M&M/Mars
-
Bob Gambort - General Manager
-
Michael Browne - Vice President
-
Kevin Anderson - Senior Franchise Manager
-
Sandra Williams - Franchise Manager
- Carol
Van Den Hende - Franchise Manager
-
Lori Engelhardt - Commercial Manger Grey Worldwide,
New York
- Robert
Skollar - Creative Director, EVP
- Walt
Panek - Associate Creative Director, VP
-
Mark Catalina - Art Director
-
John Higgins - Producer, VP
-
Lisanne Paulin - Associate Producer
- Brian
Fallon - Writer
-
Mike Ryniec - Writer
-
Diane Wolfe - Business Manager
-
David Freilicher - EVP
- Carol
McGreevey - VP, Group Management Supervisor
-
Julie Leffler - Account Executive
- Marisa
O'Brien - Account Supervisor
-
Joanna Wasserman - Assistant Account Executive
-
Stephen DeAngelis - Casting Director
|
"Head
Spin" continues the theme as CG TWIX ingredients react to different
dance styles. The spot opens on dancer Savion Glover, from the
hit show "Bring in Da Noise, Bring in Da Funk," whose tapping
feet kick up splashes of chocolate each time they hit the virtual
ground. The camera pulls back to reveal energetic swing dancers,
then two cookies appear and mimic their swinging moves. Pull
back again and we see a raver girl, whose dancing calls forth
pools of caramel around her feet, which burst into dancing fountains.
"Our animators were challenged to create thirty seconds of a
completely CG dimension in which cookies fly around mimicking
the movements of swing dancers," said Ferguson. "The visuals
were enhanced with 2 and 3D warping. CG chocolate spreads from
Savion's (Glover) taps, live action fountains twist and wiggle
along with a rave dancer in a world that integrates food footage
with live action footage, supplemented with our own CGI elements."
To come up with believable moves, choreographer Tina Landon
studied food footage to match dance styles that could be easily
mimicked with tabletop food direction as Black Logic enhanced
them with CGI elements warping. "We wanted to create a visual
tie between the dancing of the swing dancers and that of the
cookies without it appearing to be an exact replication," added
Ferguson.
Work on the two TWIX spots required a month's time from Ferguson,
who led the Black Logic visual effects team, which included
three inferno artists as well as the entire Black Logic CGI
department.
Black Logic is a comprehensive, creative collaboration company
offering full-service visual effects, graphic design, high-end
compositing, 2D and 3D animation, and complete live-action production.
Founded in 1992 and located at 305 East 46 St., in New York
City, Black Logic also offers state-of-the-art film-to-tape
transfers together with its productions. Black Logic is represented
by Ivan Molomut and Alfie Schloss.
Wednesday,
February 28, 2001
David
Barrington Holt of Jim Henson's Creature Shop to Discuss The
Dark Crystal at Gnomon School
|
When
and Where:
The Dark Crystal lecture is being held Tuesday March
27 at 7:00 p.m. at the Gnomon Inc. School of Visual Effects.
The address is 1015 N. Cahuenga Blvd. Hollywood, CA 90038.
Reservations:
Tuition is free, but reservations are required. To make
a reservation, either email your name and phone number
to duane@gnomon3d.com
or call 323/466-6663.
Directions:
Gnomon is located in the Television Center building 1015
North Cahuenga Blvd, Hollywood, California Parking is
available on the street or in the lot just south of the
Television Center (enter from Cole Ave.)
From
the North: 101 South to Cahuenga exit. South (right)
on Cahuenga. Gnomon is just south of Santa Monica.
From
the Southwest and West: 405 to the 10 East. Exit La
Brea North. North on La Brea to Melrose. Turn right to
Cahuenga. Left to 1000 block.
From
the South: 110 North to 101 North. Exit Santa Monica
B. - left. Head west on Santa Monica to Cahuenga - Left.
|
Hollywood,
CA, February 28, 2001 -- A screening of The Dark Crystal
and an opportunity to discuss the film with David Barrington
Holt, Creative Supervisor of Jim Henson’s Creature Shop in Los
Angeles, will be presented March 27 at the Gnomon School of
Visual Effects in Hollywood. The event is one of a series of
lectures on ground-breaking films sponsored by the school.
The Dark Crystal, a 1982 release directed by Jim Henson
and Frank Oz, was the first fully-animatronic feature film.
It is a classic tale of good and evil, with the peaceful "Mystics"
on one side and the oppressive "Skeksis" on the other side.
David Barrington Holt was born and educated in London, England.
He graduated with honours in Industrial Design, but his subsequent
career has included fashion design, graphic art, photography,
and engineering modelmaking. He began creating model and miniature
effects for television and film commercials in the early 1980’s,
and was invited to join the team at the London Creature Shop
in 1986 to work on the Jean-Jacques Annaud film The Bear.
A string of Henson projects followed, and he came to the West
Coast in 1991 to supervise the Creature Shop’s work on the hit
Disney/Henson TV show "Dinosaurs." He later helped
to establish the Los Angeles Creature Shop.
Although the Gnomon film lectures are designed primarily to
give Gnomon students the option to learn about filmmaking as
a craft, they are open to anyone interested in hearing industry
professionals present films that they feel are noteworthy in
the history of movie production. These lectures include a presentation
by the guest instructor, viewing of the movie, with discussion
to follow.
Gnomon
web site: www.gnomon3d.com
***
EyeballNYC
Designs Graphics Promos for the Independent Film Channel Spirit
Awards
New York, NY, February 28, 2001 -- EyeballNYC, a creative design
boutique, handled the on-air package for the Independent Film
Channel's Spirit Awards, including the design of the show opening
and graphic packaging, according to Limore Shur, creative director.
Taking inspiration from the Spirit 2001 awards poster, EyeballNYC
produced two spots for the Bravo Networks that employ a syncopated
hot pink, orange and purple photo-box grid effect.
"We did not want our designs to stray far from the look of the
poster," Tatiana Arocha, senior designer, said. "So we designed
a dimensional approach and intermixed it with iconic imagery
from the film industry that we projected onto the graphic elements.
Original music, composed by EyeballNYC, complemented and often
led the personality and pacing of the project."
EyeballNYC designers abstracted iconic photography and footage
from last years' Spirit Awards program to provide the appropriate
feeling while telling the awards story in an eye-catching way.
In "Sweepstakes" and "Tune-In" (:30s), hot-colored cubic boxes
flip, slide and pop into view to reveal details of the Spirit
Awards program, which will air March 25.
|
Credits
|
Client: Bravo Networks, NYC
Project: Independent Film Channel Spirit Awards
Airdate: March 25, 2001
Name: "IFC Sweepstakes (:60)" and "Tune-in (:30)" spots.
|
Production/Design
Co.: EyeballNYC
Creative Director Limore Shur
Senior Designer Tatiana Arocha Jr.
Designer Rachel Riggs
3-D Animators Stuart Simms, Sal Midolo
Editor Alex Moulton
Original Music and Sound Design Alex Moulton
Producer Nina Goldberg
Executive Producer Michael Eastwood
|
Thursday,
March 1, 2001
Shrek
Is on Schedule, with Screening Next Week at ShoWest
Shrek,
the animated comedy due from DreamWorks May 18, will be screened
in a more complete version than originally planned next week
at the ShoWest Convention in Las Vegas.
The film was already scheduled as a "Special Work-In-Progress
Screening" on Wednesday at the Paris Hotel's Le Théâtre Des
Arts. But the Hollywood Reporter quoted DreamWorks distribution
head Jim Tharpe yesterday as saying that a big percentage of
the film is now complete and that it would be finished on schedule
in April. Tharpe said that some hand-drawn animation remains
and that the coloring is not completely finished yet.
ShoWest, which bills itself as "the world's largest motion-picture-industry
convention," limits registration to members of the motion
picture industry. The convention is being held at Bally's and
The Paris Hotel in Las Vegas from March 5-8.
Shrek, based on a children's book by William Steig, features
the voices of Mike Myers, John Lithgow, Eddie Murphy and Cameron
Diaz. The story centers on an ogre named Shrek, whose solitude
is invaded by annoying fairy tale creatures-- blind mice in
his food, a big, bad wolf in his bed, and three little homeless
pigs. All have been banished from their kingdom by the evil
Lord Farquaad.
Determined to save his own home as well as theirs, Shrek cuts
a deal with Farquaad and sets out to rescue the beautiful Princess
Fiona to be Farquaad's bride. The only problem is that he must
wrest the Princess from a fire-breathing dragon, and then deal
with a deep dark secret she is concealing.
For previous Shrek coverage on Animation Artist, click
here.
Friday,
March 2, 2001
Toy
Story Racer Game Announced
Santa Monica, CA, March 2, 2001 -- The toys from Disney's Toy
Story animated feature film are pitted against each other in
Disney/Pixar's "Toy Story Racer" for the PlayStation game console
and Nintendo Game Boy Color from Disney Interactive, Pixar Animation
Studios and Activision, Inc. The video games are rated ``E''
by the ESRB and are available for a suggested retail price of
$39.99 (PlayStation game console) and $29.99 (Game Boy Color).
A remote controlled racing adventure game, "Toy Story Racer"
lets players select one of 12 Toy Story characters, including
Buzz Lightyear, Woody and Hamm, each with a unique vehicle and
signature driving style. Players can revisit some of their favorite
environments from the movie with 18 tracks and surprise pick-ups.
The game's intuitive artificial intelligence (AI) ``learns''
from each player's performance and adjusts to his or her skill
level on the fly. Additionally, unique character-specific challenges
open up hidden characters and quests, allowing the game to unfold
like a storybook. More than 150 character challenges include
racing, chasing and stunt driving.
***
Return
to February 2001 News
Return
to Today's News
Return
to Animation Artist
|
|
|
|
|
Today's Sponsors
|
| |
|
|
 |
| |
-
-
-
-
-
-
-
-
-
-
-
-
-
Feb
2000
-
Jan
2000
-
Dec
1999
-
Nov
1999
-
Oct
1999
-
Sep
1999
-
Aug
1999
-
Jul
1999
-
Jun
1999
-
May
1999
-
Apr
1999
-
Mar
1999
|
|
 |
|
|
|