Thursday,
February 1, 2001
Chicken
Run and Dinosaur Nominated in British Awards
The nominations are in for the 53rd British Academy Film Awards
and two animated films have made the final cut. Chicken Run has
been nominated for two British Academy Film Awards, including
Outstanding British Film of the Year and Audience Award of the
Year. Dinosaur was also nominated for Audience Award of the Year.
The British Academy Film Awards is the UK version of the Academy
Awards. The announcement of the winners will take place on February
25, 2001.
*
* *
Cinar
Sues Co-founders for $28.6 Million
Yesterday,
Animation Artist Magazine published an article about Cinar's auditors
resigning and a statement from the co-founders on a lawsuit filed
against them.
According
to the CBC, "Cinar Corp., the film animation company best
known for its Arthur and Richard Scarry children's cartoons, is
suing its co-founders, Ronald Weinberg and Micheline Charest,
for $28.6 million.
Cinar,
which nearly collapsed after allegations of fraud and other financial
irregularities last year, announced Tuesday it has filed a complaint
in Quebec Superior Court against Weinberg and Charest, the husband
and wife team who started the company..."
Click
here for the full story.
Other
CINAR Stories:
CINAR's
Auditors Resign (scroll down to second story after clicking)
CINAR
Avoids Fraud Charges (scroll down to second story after clicking)
CINAR
Signs Deal to Recover Money (scroll down to fourth story after
clicking)
CINAR
Fires It's Founders! (scroll down to second story after clicking)
Fired
CINAR Founders Fight Back
CINAR
Trading Suspended (scroll down to second story after clicking)
CINAR
May Be Target of Acquisition Attempt
CINAR
Discusses Investigation
Friday,
February 2, 2001
Cinar
to Release Unaudited Information
The Cinar saga continues. According to the CBC:
"Cinar
Corp. will release unaudited financial information Friday dating
back four years that should provide a clearer picture of the company's
books after more than a year of turmoil.
The
film-and-animation company also plans to release a detailed company
profile to potential investors within days, a Cinar executive
said Thursday. Cinar plans to make public unaudited, restated
financial statements from 1997 to the first six months of 2000,
said Louise Sansregret, vice-president of investor relations and
public affairs..."
Click
here to read the full story.
In
another Cinar story published in the CBC, RCMP is recommending
charges against Cinar executives. According to the story:
"A
lengthy RCMP investigation into alleged tax fraud at the beleaguered
film animation company Cinar Corp. has resulted in a report recommending
five people be charged with criminal offences, the National Post
reported Thursday..."
Click
here to read the full story.
Other
CINAR Stories (starting with most recent):
CINAR
Sues Co-Founders for $28.6 Million (second story)
CINAR's
Auditors Resign (scroll down to second story after clicking)
CINAR
Avoids Fraud Charges (scroll down to second story after clicking)
CINAR
Signs Deal to Recover Money (scroll down to fourth story after
clicking)
CINAR
Fires It's Founders! (scroll down to second story after clicking)
Fired
CINAR Founders Fight Back
CINAR
Trading Suspended (scroll down to second story after clicking)
CINAR
May Be Target of Acquisition Attempt
CINAR
Discusses Investigation
* * *
Noggin
Creates Black History Animated Short Stories
Tell a kid, he or she is about to learn history and be prepared
to watch those bright, curious eyes suddenly go blank. History
can sometimes be a very daunting subject. In an effort to make
history more accessible to kids and to celebrate Black History
Month, Noggin, the educational network from Nickelodeon and Sesame
Workshop, will premiere
"Noggin
Celebrates Black History: If I Were There," a series of four,
animated short stories, created by kids in collaboration with
Noggin. Each short story, told from the kids' point of view, will
run interstitially on Noggin and Nickelodeon throughout the month
of February.
Each
week, Noggin invites curious minds to identify with the figures
and events from black history with a new animated story created
by one of four kids from the New York City area. Each kid has
created a first-person, fictional narrative about a moment in
black history that has "sparked" them. Noggin producers
and animators have turned these stories into interactive animations
asking Noggin's audience to put themselves back in history and
imagine what it would have been like if they were there too.
"These
animated shorts demonstrate Noggin's kid-driven learning educational
philosophy by using kids' creativity to bring history to life,"
said Tom Ascheim, General Manager, Noggin. The first story, "Little
Rock," created by 11-year-old Morton, is about The Little
Rock Nine in Arkansas -- the first group of black kids to integrate
in the all-white Central High School in 1957. Morton tells her
story as she imagines what it would have been like to be the 'tenth'
member of The Little Rock Nine.
The
second story, "Harlem Renaissance," created by 11-year-old
Destin, is told from the point of view of a Brownstone building
in Harlem during the 1920's. It celebrates Harlem's explosion
of art, music and culture and features Langston Hughes, Meta Warrick
Fuller and Louis Armstrong.
The
third story, "Underground Railroad," was created by
11-year-old Camila, and is told as if she were a young slave who
is waiting with her little sister at the edge of a southern plantation
to leave on the Underground Railroad with Harriet Tubman.
The
fourth story, "Negro Leagues," was created by 11-year-old
Omari, who tried to imagine what it would have been like to be
a catcher for the great Satchel Paige in the Negro Leagues. His
story climaxes during the Negro League World Series in 1942 with
the showdown between two baseball greats, Joltin' Josh Gibson
and Leroy 'Satchel' Paige.
Noggin,
the first ever-thinking network for kids, now reaches over 15
million households via cable, digital cable and satellite. Exploding
the boundaries between television and online, Noggin is a unique
interactive network aimed at kids 2-12 from educational children's
TV pioneers Nickelodeon and Sesame Workshop. Its breakthrough
mission is to serve kids' natural desire to learn by creating
a place-on television and online-where learning is driven by them.
Using "What Sparks You?" as a slogan, Noggin celebrates
kids' natural excitement for learning by asking kids themselves
to help shape the network's agenda and steer its content.
Saturday,
February 3, 2001
"Bob
the Builder" Stop Motion Production Enhances Nick Jr.
According to the Kansas City Star:
"Those
little sponges commonly known as preschoolers will add words such
as 'pneumatic drill' and 'reflective barrier' to their vocabularies,
all thanks to a darling show added this month to the Nick Jr.
lineup...
Filmed
in stop-frame animation (think of Christmas classics such as 'Rudolph
the Red-Nosed Reindeer' or any Claymation production), 'Bob the
Builder' was born in England several years ago and now is the
No. 1 preschooler program in several countries, including Japan
and Australia..."
Click
here for the full story.
Sunday,
February 4, 2001
Award-Winning
Henry Artist Lisa Tomei Joins R!OT
Clio and Emmy award-winning Henry artist Lisa Tomei has joined
R!OT, the creative digital production studio. Tomei, who had been
working as a freelancer, has wide experience in visual effects
production and 2D compositing, as well as significant graphic
design skills. Her credits span a broad range of media, including
commercials, broadcast promos, show opens, episodic television
and music videos. Her appointment is effective immediately.
"We
are thrilled to have Lisa join our team," said R!OT managing
director Richard Cormier in announcing the appointment. "Her
design skills combined with her knowledge of visual effects make
her a unique artist." In discussing her move, Tomei said
that R!OT's wealth of resources provide the support that she needs
to continue working on the highest quality work.
"Creatively
and practically, it is a strong asset for my clients and I to
have immediate access to animation, telecine, editorial and production
services," she said. "In addition, many of the best
artists and producers with whom I've worked in the past are now
here at R!OT, so I feel very comfortable and excited about this
move."
Tomei
has been freelancing through several Los Angeles area post facilities,
including visual effects producer Area 52. Her credits there include
the spot Spectacular Reveal launching the Toyota Tundra SUV for
Saatchi & Saatchi, Torrance, in which a vehicle assembles
itself while speeding across a desert salt flat. She also contributed
to the Gatorade spot Challenge directed by Samuel Bayer and produced
by Foote, Cone & Belding, Chicago; and to the Macy Gray video
Do Something (Epic Records).
Additionally,
Tomei's commercial credits include the Nissan spot Toys, conceived
by TBWA Chiat/Day, Venice, CA and directed by Kinka Usher. Tomei,
who worked through POP Studios (now R!OT) on the project, earned
a Bronze Clio Award for her work.
Tomei
also freelanced for several years through the broadcast design
house Pittard Sullivan. She later collaborated with former Pittard
Sullivan motion graphics designer Suzanne Kiley on the show open
for Oprah, for which she won an Emmy Award. She also worked with
Kiley on the show open for the series Profiler. Tomei began her
career as a Chyron artist with Video Transitions, Hollywood.
Monday,
February 5, 2001
New
Animated and Anime DVD Titles Being Released Tomorrow
Here is a list of animated and anime titles being released to
DVD tomorrow:
Digimon
- The Movie (2000)
Gundam
Wing the Movie - Endless Waltz (2000)
Escaflowne
- Angels and Demons (V.3)
Escaflowne
- Past and Present (V.4)
Prince
of Egypt/Joseph - King of Dreams (Combo Set)
Sailor
Moon S (TV Series Vols. 1/2, Uncut Version) (2000)
*
* *
Caligari
Ships trueSpace 5
Caligari Corporation, a pioneer provider of 3D authoring tools,
today began shipping trueSpace 5, the newest version of its 3D
modeling and animation program. In trueSpace 5 Caligari adds a
full complement of NURBS-based modeling tools, physically realistic,
faster rendering, and advanced surfacing features. In addition,
new support for industry standard IGES, SAT and STL formats streamlines
trueSpace 5 compatibility with traditional CAD/CAM applications,
providing a real-time authoring tool for designers that combines
the high-end modeling, rendering and animation power they require,
at a mid-range price far below competing solutions.
"trueSpace
5 is the most powerful, yet easy-to-use application available
today for artists and graphic designers," said Roman Ormandy,
president and CEO of Caligari. "The improvements to our latest
version, based on extensive input from our users, combine increased
functionality with an even more intuitive user interface. Speed,
real-time response, and advanced tools are all critical in the
design field, and those needs are the central focus of trueSpace
5."
New Features -- User Interface
trueSpace's widely recognized and often emulated 3D user interface
allows for real-time direct manipulation in a hardware accelerated,
integrated, 3D perspective work space where designers can interact
intuitively with 3D objects and environments. The DX7/OpenGL-based
rendering engine coupled with Intel SSE and AMD 3Dnow! CPU optimization
provides real time feedback on all operations. TrueSpace5 has
also been optimized for top performance on the upcoming Intel
Pentium 4 processor.
Other
interface enhancements include:
-- context-based direct manipulation editing
-- Magic Ring for interactive manipulation of primitive shapes
-- Draw Panel for performing 2D operations directly in the 3D
workspace
-- Tri-View Panel extends the Draw Panel into the 3rd dimension
for
skinning and sweeps
-- fully integrated visual asset libraries with universal drag-and-drop
floating toolbars and individual tools to customize your workspace
NURBS based Modeling
trueSpace 5 expands the already formidable modeling toolset with
a full implementation of NURBS-based modeling tools including
all Sweeps, Rails, Lofts, Skinning, and Cross-sections. NURBS
can be combined with stitching, blending, filleting and cut with
trimming curves -- all in real-time, full 3D perspective. NURBS
Geometry Paint provides users with a paint brush to modify NURBS
surface geometry in real time.
Other
new modeling features include:
-- Real-time subdivision surfaces for easier texturing and animation
traditional CAD-like layers, improved dimensioning, and advanced
2D
drawing tools
-- fully-parameterized 2D and 3D primitives with Magic Ring visual
control
-- enhanced snapping tools
-- MetaMuscles
Advanced Surfacing
A completely redesigned Materials Editor and new IIR (incremental
image rendering) technology allow designers to move the resizable
material editor windows over any scene object and edit surface
materials directly with near real-time feedback.
3D
paint tools can now paint on textured surfaces with real-time
feedback using arbitrary bitmap as a brush. With real-time UV
mapping in trueSpace 5, users can precisely position and apply
any texture projection, using a 3D widget, and get immediate feedback,
in solid textured mode.
Physically Accurate Rendering
New physically accurate lights, and image-based rendering technology
allow for an unparalleled level of realism. trueSpace 5 offers
faster rendering with better image quality and lower memory use,
and new non-linear tone mapping capabilities to generate even
more realistic images. Ten new advanced shaders include mapped
reflectance, shadow catchers, new fog, wood, leather, and curvature
visualization shaders.
Output for the Web
Caligari provides full support for Viewpoint Experience Technology
(formerly Metastream) from within trueSpace 5, making it an ideal
authoring tool for creating advanced visualizations and marketing
content for interactive Web sites. Designed as a native 3D web
authoring solution, trueSpace 5 will also support the 3D graphics
playback technology that Intel and Macromedia are developing for
the Internet.
More Precise Animation Controls
For detailed character animation, NURBS and subdivision surfaces
can now be animated at the control vertex level, and trueSpace5
continues to offers linear key-framed animation, and non-linear
physics-based animation with properties such as wind, gravity,
and collision detection. Now, with DX7 hardware geometry acceleration,
trueSpace 5 lets users compute the radiosity solution interactively,
while navigating in real-time through a scene.
System Requirements
trueSpace5 requires a Pentium II CPU (Pentium III recommended),
Windows 95/98/2000/NT, 64MB RAM, and 50MB of free hard disk space.
For optimum performance, 128MB RAM and a 3D accelerator are recommended.
Pricing and Availability
trueSpace 5 for Windows is available now directly from Caligari
for $795. TrueSpace 4 users can upgrade for $299, trueSpace 3
users for $399, and trueSpace 2 users for $499. A separate trueSpace
5 Conversion Pack, which contains file conversion modules for
SAT, IGES, STL, Viewpoint, (and later Shockwave3D) is available
for $99. A flexible tsxAPI is available to 3rd-party developers
writing plug-ins.
Tuesday,
February 6, 2001
Box
Office Results for Animated Films
Here are the Box Office results for animated films last weekend
as The Emperor's New Groove nears the $80 million mark, a number
that seemed unreachable to critics after the animated movie's
poor opening weekend in mid-December:
The
Emperor's New Groove
$2.0 Million ($1,438 per screen average - 24% decrease)
19th at the Box Office (down from #15 last weekend)
Total to Date: $81.8 Million
Rugrats
in Paris
$165,607 Million ($464 per screen average - 23% decrease)
33rd at the Box Office (down from #28 last weekend)
Total to Date: $75 Million
Cyberworld
3D
$155,825 ($4,211 per screen average - 0% decrease)
36th at the Box Office (down from #32 last week)
Total to Date: $5.5 Million
*
* *
Violence
Finds a Niche in Children's Cartoons
According to the New York Times:
"A
pug-nosed thug kicks in an elderly storekeeper's face. Then he
punches a young heroine in the eye and cracks her in the small
of the back with a heavy bar stool. Her limp frame collapses to
the ground as he stands over her with his gun drawn and pointed
at her head...
A
little girl karate-kicks another little girl so hard that she
flies through the air. Her head smashes into a cement post. She
is knocked cold.
Scenes
from the latest R-rated thrillers or video games? Actually, these
are moments culled from a wave of fast-action Japanese-style animation
television shows that now fill much of the children's programming..."
Click
here for the full story (may require free registration to
view)
Wednesday,
February 7, 2001
Beauty
and the Beast Coming to IMAX
Disney is apparently set to announce, within the next few weeks,
that it is bringing Disney's Beauty and the Beast, the
only animated film ever to be nominated for a "Best Picture"
Academy Award, to IMAX screens later this year or in early 2002.
There's no word on whether there will be a theatrical rerelease
for the film.
Even
though Beauty and the Beast does not lend itself well to
an IMAX treatment (particularly with spinning shots like the beginning
of the ballroom sequence), Disney seems set on turning the film
into an IMAX money maker for them as it did with Fantasia 2000.
Disney is also heavily invested in the IMAX format which is why
it is giving the giant so much attention.
Disney
has sat on a rerelease of Beauty and the Beast for years,
often debating when to release it and whether to add new footage
(or "deleted" scenes) to increase its market appeal.
Many of these questions are expected to be answered within the
next two weeks.
*
* *
Pixar
to Receive Oscar Recognition for Renderman
Pixar will receive Oscar recognition for technology advancement
within the movie industry for its "Renderman" program
used in big name blockbusters like Titanic and The Matrix. The
award will be presented to Pixar on March 3 and will be received
by Loren Carpenter, Ed Catmull, and Rob Cook.
According
to Academy of Motion Picture Arts and Sciences President Robert
Rehme, "This is the first Oscar ever given specifically for
the development of computer software."
Renderman
is a high quality renderer software package that "allow designers
to believably integrate stunning synthetic effects with live-action
footage," according to Pixar.
This
will be the second high-profile award that Pixar has received
for Renderman. In 1993, the Academy of Motion Picture Arts and
Sciences honored the developers of RenderMan with a Scientific
and Engineering Achievement Award for their contribution to the
motion picture industry.
Thursday,
February 8, 2001
Icebox
Closing Down
The online animation portal, Icebox, is closing down this week.
Icebox is just one of dozens of high-profile sites that are closing
down monthly due to money strains and the inability to turn a
profit online. Icebox was know for the hundreds of animated shorts
it delivered online. The flawed business model, however, put the
company out of business in only 14 months.
* * *
The
Woman of 1,000 Voices
According to The Salt Lake Tribune:
"How
many times do you figure Mel Blanc, the Man of a 1,000 Voices,
had to put up with well-meaning fans who tried to out Bugs the
voice of Bugs Bunny?
'Yes, said Tress MacNielle, 'frankly, you just grin and bear it.
Everyone is entitled to their own dream.'
It must be a disease, because not two minutes after meeting MacNielle,
I tried a voice from one of the many shows she works on, 'The
Simpsons.' MacNielle talked to me anyway.
For
a second, she became Principal Skinner's mother, which was cool.
Tress MacNielle has followed the path carved by Mel Blanc. She
is one of the voice-over industry's most versatile talents..."
Click
here for the full story.
Friday,
February 9, 2001
Pixar
Posts Record Earnings
Pixar Animation Studios today announced financial results for
its fiscal fourth quarter and year ending December 30, 2000. For
the quarter, Pixar earned $35.2 million, or $0.71 per diluted
share. These results compare to earnings of $9.6 million, or $0.19
per diluted share, achieved in the year-ago quarter. Revenues
for the quarter were $75.7 million, as compared to $24.9 million
in the year-ago period.
Revenues
for the fiscal year ending December 30, 2000 were $172.3 million,
up from $121.0 million for the fiscal year ended January 1, 2000.
Earnings for the same periods were $78.4 million and $49.2 million,
respectively. Diluted earnings per share for fiscal year 2000
were $1.57, up from $0.99 for the 1999 fiscal year.
``We
are delighted to report Pixar's highest quarterly and yearly earnings
to date, which reflect the worldwide success of Toy Story 2
and the evergreen profit potential of our growing library,''
said Pixar CEO Steve Jobs. "Looking forward, we are thrilled
with our studio's next feature film, Monsters, Inc., and are gearing
up for its release this November.''
* * *
CINAR
Goes to China
CINAR Corporation is in China to negotiate co-production deals
with two companies.
Company
representatives Peter Moss, president CINAR Entertainment, Dan
Tierney, vice president business development, and Enguan Xu, executive
Canada-China business development will be in China from February
7 to the 15. CINAR will also attend the annual general meeting
of the Canada China Business Council (CCBC), a private-sector,
non-profit membership organization that facilitates and promotes
trade and investment between Canada and the People's Republic
of China. CINAR has been a member of the CCBC for a number of
years.
CINAR's
delegation is in China in order to move forward with business
discussions with two Chinese companies, China Central Television
(CCTV), the largest broadcaster in China (which also owns a production
arm), and the Shanghai Animation Film Studio (SAFS). CINAR collaborated
with CCTV on Journey to the West: The Legend of the Monkey King
and with SAFS on A Miss Mallard Mystery. CINAR will sign letters
of intent to produce two new animated series in the presence of
Canadian and Chinese delegates.
"We
are pleased that we are able to help these two prestigious companies
showcase their remarkable talents in film animation on the world
stage," said Peter Moss. "Not only is China a large
emerging market, but it is an active participant in the world
entertainment industry."
Other
CINAR Stories (starting with most recent):
CINAR
to Release Unaudited Information
CINAR
Sues Co-Founders for $28.6 Million (second story)
CINAR's
Auditors Resign (scroll down to second story after clicking)
CINAR
Avoids Fraud Charges (scroll down to second story after clicking)
CINAR
Signs Deal to Recover Money (scroll down to fourth story after
clicking)
CINAR
Fires It's Founders! (scroll down to second story after clicking)
Fired
CINAR Founders Fight Back
CINAR
Trading Suspended (scroll down to second story after clicking)
CINAR
May Be Target of Acquisition Attempt
CINAR
Discusses Investigation
Saturday,
February 10, 2001
Animation
Industry Job Fair Coming in March
The inaugural, two-day Animation Business Marketplace, Job Fair,
and Creative Conference, which will be held March 1 & 2 at
the Hollywood Roosevelt Hotel, will feature a series of Animation
Career Sessions led by many of the animation industry's leading
recruitment executives. The Animation Career Sessions are a series
of presentations (to be conducted on two concurrent "tracks,")
designed to enhance career opportunities for both individuals
with and without artistic skills.
The
high powered guest speakers include executives Jay Francis, Director
of Talent Recruiting, Film Roman; Frank Gladstone, Training Director,
DreamWorks; Tom Knott, Director of Recruitment, Warner Bros.;
Joe Caggiano, Director of Recruitment, Disney TV; Rachelle Lewis,
Director of Recruitment, Klasky Csupo; Sande Scoredos, Exec. Director
of Training, Sony Imageworks; Kat Fair, Head of Recruitment, Nickelodeon;
Glen Campbell, Visual Effects Supervisor, Area 51, and Pamela
Thompson, Independent Recruiter, Ideas to Go.
Career
Session titles include: "Know what your Art Options Are,"
"Choose the Right Artistic Path," "Construct the
Right Curriculum," "Know how to Market Yourself,"
and "Build the Right Portfolio," as well as presentations
on finding jobs for artists and non-artists in the feature film,
television, visual effects, commercials/post-production, and video-game
industries.
In
addition to the Career Sessions, the two-day Animation Business
Marketplace, Job Fair and Creative Conference will also offer
members of the entertainment industry, as well as the general
public, the chance to explore numerous other aspects of the animation
business, including new trends, techniques, content, and distribution
channels, in movies, television, the Internet, visual effects,
commercials, and video-games.
Event
Director Jodi Bluth said, "The Animation Business Marketplace,
Job Fair, and Creative Conference is truly America's most unique
opportunity to provide a high-level networking atmosphere for
anyone interested in animation and new media."
The
Animation Creative Conference is a series of panels featuring
leaders of the animation industry, while The Animation Business
Marketplace and Job Fair, is a networking opportunity for those
interested in exploring animation business relationships, joint
ventures, and presenting story or show pitches, as well as for
those seeking related jobs.
Sunday,
February 11, 2001
Release
Date for Monsters, Inc. Moved Up
Apparently fearing a repeat of what happened when 102 Dalmations
went up against The Grinch, Disney and Pixar have moved
the release date up three weeks for Pixar's Monsters, Inc.
to cushion the impact against the new Harry Potter movie being
released in November.
Monsters,
Inc. was originally scheduled to be released Thanksgiving
weekend, but will now be released three weeks earlier. It will
now be released November 2, 2001 while Harry Potter and the
Sorcerer's Stone will be released on November 16, 2001.
Last
year, Disney's 102 Dalmations lost a lot of business to
The Grinch, prompting a closer look at this year's Disney
and Disney partnership releases.