| Straight
Talk |
||
|
|
DMO: Regardless of work staying or leaving the country, how is pay for animators? Joe: Pay is up, but the jobs are harder to come by. Daryl: As far as I can tell, it's staying the same, I doubt it would go up, more likely to go down Mark: As we do not hire animators, but focus on programmers, I can't comment - though I have heard that the ridiculous salaries that nearly bankrupted the industry have come down significantly. Rowsby: There isn't much budget for top-notch pay for "kid vid" people, which again, explains why things are going overseas for the kid's market. The same thing has been going on for a long time in 2D, with Asia taking most of the work away from the US. Gregg: I think we're looking at a big overall decrease in pay over the next few years. That is one thing that the union is very good at; keeping the wage base stable. DMO: Why is pay decreasing? Gregg: Simply because of the competition for work, both at a facility level and down in the artist trenches. DMO: What about working conditions?
Joe: If, by that you mean ergonomic desks, insurance plans, and semi-normal working hours, I'd say working conditions are great. But there's a price for all that stuff. The contracts you have to sign to get that stuff are extremely exploitive, read them carefully. The 'worst case' clauses do get exercised fairly routinely. If your contract says they can impale you with a stake, you can be pretty sure you have a nice pointy stake at some point in your future. Don't hesitate to cross out ridiculous things on your contracts before signing them. GO TO PAGE [ 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Home ]
|
|